abstract red/blue anaglyph | 2009

try viewing with 3D red/blue glasses for added dimension (pun intended)

denver art museum | V | aug09

denver art museum | IV | aug09

definitions worth remembering | 2009

denver art museum | III | aug09

denver art museum | II | aug09

denver art museum | I | aug09

 

Beginning of second installment of DAM series. Previous photos mashed were from iPhone. This time the photos were with D80. All available light, slow shutter speed, big aperture and 400ASO. While a large portion of the Hamilton building was closed, including stairwells — which unfortunately provide some dramatic povs — still filled up the card. Post production in PS with some 3rd-party filters used.

outdoor scans | 2009

denver art museum VI

denver art museum V

denver art museum III

denver art museum II

denver art museum I

twenty-ninth street vii | 2009

twenty-ninth street vi | 2009

twenty-ninth street v | 2009

twenty-ninth street iv | 2009

twenty-ninth street ii | 2009

twenty-ninth street i | 2009

outdoor flatbed scans

With a bunch of free time on my hands I've taken the iBook and scanner back outside for a second attempt at scanning the garden. Images were scanned at 500dpi...would have upped the res except the scan would have taken a half-an-hour or more.

bag in a tree

from dover digital clip art

furnace redux part II

furnace redux

no title

from break room images

second furnace

first furnace

MCA denver | feb 2009

MCA 1

MCA 2

MCA 3

bag in a tree | christoph niemann | nyt | 2009

© Christoph Niemann/NYT

Just couldn’t resist adding this image...see more here (x).

relic | collage | 1980s

relic | collage | 1980s

sx-70 self-portrait | 1983

Back in the ’70s Polaroid gave SX-70s to artists to see what they could do with the camera and the process. Lucas Samaras, mentioned in a previous post, mucked with the emulsion as the print was developing — here is one example. I had an SX-70, was in art school and learned about Samaras’ work and tried it myself. I was interested in African masks at the time as well as Robert Ferris Thompsons’ book Flash of the Spirit, which led me to the above.

relic | collage | 1980s